One greater than Beowulf: Aragorn and Tolkien’s marginalization of the monstrous

A couple of passages to comment briefly on Aragorn vis-a-vis Beowulf today. The first is Aragorn’s speech to Boromir at the Council of Elrond:

`If Gondor, Boromir, has been a stalwart tower, we have played another part. Many evil things there are that your strong walls and bright swords do not stay. You know little of the lands beyond your bounds. Peace and freedom, do you say? The North would have known them little but for us. Fear would have destroyed them. But when dark things come from the houseless hills, or creep from sunless woods, they fly from us. What roads would any dare to tread, what safety would there be in quiet lands, or in the homes of simple men at night, if the Dúnedain were asleep, or were all gone into the grave?
           `And yet less thanks have we than you. Travellers scowl at us, and countrymen give us scornful names. “Strider” I am to one fat man who lives within a day’s march of foes that would freeze his heart or lay his little town in ruin, if he were not guarded ceaselessly. Yet we would not have it otherwise. If simple folk are free from care and fear, simple they will be, and we must be secret to keep them so. That has been the task of my kindred, while the years have lengthened and the grass has grown.’

The second is Aragorn’s exchange with Halbarad in the chapter “The Passing of the Grey Company” on the departure of Legolas, Gimli, and Merry:

‘There go three that I love, and the smallest not the least,’ he said. ‘He knows not to what end he rides; yet if he knew, he still would go on.’

     ‘A little people, but of great worth are the Shire-folk,’ said Halbarad. ‘Little do they know of our long labour for the safekeeping of their borders, and yet I grudge it not.’

     ‘And now our fates are woven together,’ said Aragorn. 

In his essay “The Monsters and the Critics,” Tolkien admires the way in which the Beowulf poet, unlike Homer, places the monsters and the hero’s conflict therewith at the center of the work, and yet at the same time he cautions that the “wages” of such “heroism is death.” In The Lord of the Rings, Tolkien further has Faramir identify the kind of Northern, “martial heroism” of Beowulf with what he calls the “middle men,” namely the comparatively primitive, less civilized Rohirrim, but also the Gondorians of his day as they have diminished from their former Numenorean ancestry (Two Towers, “Window on the West”). In this context, it is possible to interpret Aragorn’s practice in the North as Tolkien’s own, post-Beowulf-ian, Christian re-marginalization of the monstrous, inasmuch as he has his hero fighting monsters, not for any kind of fame or honor (the lure that brings Beowulf to Denmark to fight Grendel), but in utter anonymity, and solely for the good of those directly benefited by his action. Aragorn is the image of the idealized medieval Christian king, the ruler whose sole purpose is not his own but the good of his subjects.