The Fellowship of the Ring begins as a fairy story, yet the first “fairy,” so to speak, that we actually meet with is, paradoxically, a hobbit. The Hobbit itself was a story of a very ordinary little man, Bilbo Baggins, going on an adventure into the perilous realm of Faërie where he became “enchanted.” What we see in the opening pages of The Lord of the Rings is that this same Bilbo has now returned to his home in the ordinary world of the Shire and has now himself become in the popular imagination the resident representative of the realm of Faërie, a source of mystery, rumor, legend, and enchantment for the rest of his fellow hobbits. He is described as unusually, even “unnaturally” ancient (eleventy-one years old!), and yet “unchanged. He is “very rich and very peculiar” and his hobbit hole is introduced as a veritable treasure mountain in its own right. Yet he is generous, even if a bit “odd,” though he has many “devoted admirers,” especially among the poor and the innocent youth. He “had no close friends,” however, indicating an Elf-like aloofness. For most of first part of the opening chapter, moreover, we see Bilbo, not as he is in himself or in his own words, but entirely through the mediation and testimony of others. Even when the third-person omniscient narrator describes Bilbo, he largely does so by telling us what other hobbits think of him. He enjoys “(apparently) perpetual youth as well as (reputedly) inexhaustible wealth.” “ ‘It will have to be paid for,’ they said.” As was just noted, we are told who his admirers were, and we get the testimony of one in particular in his gardener, the Gaffer Gamgee: “A very nice well-spoken gentlehobbit is Mr. Biblo, as I’ve always said.” As with the Elves, those who come in contact with Bilbo become enlightened and elevated themselves, as the Gaffer reports that it was Bilbo who taught Sam how to read, “meaning no harm, mark you, and I hope no harm will of it.” In teaching Sam how to read, of course, he also taught him stories about the Elves. To the minds of other hobbits, Bilbo is no ordinary hobbit, as his home, Bag End, is described by Ted Sandyman as “a queer place, and its folk are queerer.” The Gaffer gives a different, though not contradictory testimony when he says that “they do things proper at Bag End” and that “everyone’s going to be invited to the party, and there’s going to be presents, mark you, presents for all.” In Tolkien’s stories, encounters with the Elves often involves tremendous feasts and gifts. Food and gifts are also a part of hobbit culture, and yet Bilbo’s own party and gifts are anticipated to be something extraordinary even by their own extraordinary standards. As “the Day” draws near, the mytique surrounding Bilbo becomes even more heightened as he grows even more aloof or distant. An “odd-looking wagong laden with odd-looking packages” appears in Hobbiton, headed for the Bage End, and “driven by outlandish folk, singing strange songs: dwarves with long beards and deep hoods.” Bilbo may technically be a hobbit, but he keeps very unhobbitic company. Yet Bilbo’s most mysterious associate is Gandalf, “whose fame in the Shire was due mainly to his skill with fires, smokes, and lights,” but “his real business was far more difficult and dangerous, but the Shire-folk knew nothing about it.” By this time, however, Gandalf’s own fireworks had “now belonged to a legendary past. When he appears at Bag End, he and Bilbo “disappear” together inside, leaving the young hobbits outside, uninitiated into the mysteries and secrets being kept within. At this point there is a break in the passage, and the narrative perspective changes and we are treated, for the first time, to a perspective of Bilbo that is not mediated through others, as we hear him speak for the first time in his voice. What we immediately learn is that not all is as well with this hobbit after all, as he confesses to Gandalf that he is in desperate need of a “holiday.” Bilbo may be the effective “fairy” of Hobbiton, one capable of enchanting others, yet he is only a very provisional fairy, one who is in need of being re-enchanted himself.